|
|
|
Music Reviews - Part 2
Review:
Infinite Touch
Album:
Finnegans Lane
Date:
Feb.
11-18, 1998
Issue No. 915, The Scene/Page 30
Source:
The
Aquarian,
c/o Arts Weekly, Inc., Montclair, NJ
NJ's Music & Pop Culture Publication
Author:
Alana Quartuccio |
 "Another
very worthy CD is Infinite Touch's Finnegans Lane. This is the most
peaceful thing you could listen to. Infinite Touch are very
versatile, going from folk rock to Latin rock. They even throw in a
little bit of country without doing any major, 180 degree turns. The
facade is romantic while the core soars from an inner beauty making
for an album full of exquisite compositions. That mellow acoustic
music and that ever-so-sweet male voice will put you in quite a
dreamy state. I'd like to sip some cappuccino while Infinite Touch
gently wafts its way through my stereo. So, if you're a hopeless
romantic or just someone looking for some great light rock music, then contact them...You won't be disappointed."
|
Review:
Infinite Touch
Album:
Finnegans Lane
Date:
Spring
1998
Source:
Bands
On The Run
Unsigned Bands Uncovered
(site defunct)
Author:
Sandy |
 "Nice
popish feel reminiscent of Split Enz, The Producers, and more
recently The Rembrandts. At times, some of these songs sound like
Erasure's or XTC's vocals. Pensive poetic lyrics with song-along
melodies and very emotive interpretations by lead vocalist Robert
Schilling -sic- especially on "Day To Breathe". Waltz
along as Robert -sic- and his musical support team....fill you up
with their song "Empty". It is apparent that all four of these instrumentalists are experts in their fields. Excellent
production...."
|
Review:
Infinite Touch
Album:
The Other Side
Of The Window
(enhanced CD)
Date:
April
27, 1996
Source:
Billboard
Author:
Brett Atwood
Section: ENTER*ACTIVE
|
 "This
disc's significance is more in its
elegant presentation and design
than in
its content, which is in the fashion of most
artist ECDs.
Infinite Touch, the featured
act, is exposed through the standard
interviews, photo stills, studio segments,
and song samples.
Still, Midi lays out the band's wares
with formidable style and taste. Icons on a Daliesque
platform are self-explanatory and functional yet retain a
pleasing aesthetic. Simple navigation tools, which are too
often
neglected in ECDs, are prominent and well mapped;
they include
easy-access volume controls. A
creative
puzzle piece-gathering game makes navigation through
the
band's material even more interesting."
|
For more
Robert Schilling reviews, click here.
|
